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Related: Jim Caviezel Movies & TV Shows: Where You've Seen The Actor These were perfect for visual embellishment of the story, and they influenced even some of the Biblically-based scenes, such as the whipping of Jesus. He found the latter particularly inspirational, because she had experienced detailed visions in which she gave a vivid account of crucifixion, as well as additional roles played by Jesus' mother Mary. Meanwhile, Gibson also drew on visions from Catholic visionaries such as Mary of Jesus of Ágreda (1602-1665) and Anne Catherine Emmerich (1774-1824).
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In some cases, he deployed dramatic license for artistic effect, emphasizing the duplicity of the Pharisees by showing money changing hands as they attempt to hire witnesses against Jesus. Gibson frequently claimed he was only inspired by scripture, but that's not entirely accurate. It's still the highest-grossing R-rated film of all time in the domestic box office, with only Deadpool offering any competition at all.
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#Image the passion of christ movie movie#
Directed by Mel Gibson, The Passion of the Christ was that rare thing: an R-rated movie that was largely embraced by Christian audiences. Despite pleas to remove this line, he vehemently refused - his obstinate insistence clearly driven by a need to proselytize his hateful beliefs. Gibson's antisemitism did not end with "The Passion of the Christ." In 2006, he was caught driving while intoxicated and went on a random racist rant insisting that "Jews are responsible for all the wars in the world." In light of this behavior, it is difficult not to read "The Passion of the Christ" as a fundamentally antisemitic work, regardless of its financial success and popularity amongst the Christian community.Mel Gibson's 2004 The Passion of the Christ included a lot of scenes that aren't from the Bible at all. Gibson claims he interprets this line as directed toward all humanity. The most damning scene is when the Jewish high priest Caiaphas states that "his blood on us and on our children," a line from the Gospel of Matthew that blames the Jewish community for Jesus' death. The National Catholic Reporter argues that Gibson frames "the Jewish leaders as a soulless mafia, the apostles and Jesus as outside of Jewish religious life, and the Jewish people as unanimously involved in eagerly seeing Jesus tortured and murdered." Gibson blatantly perpetuates racial stereotypes at one point, Jami Bernard notes in Today, he "cuts from the hook nose of one bad Jewish character to the hook nose of another in the ensuing scene." Bernard asserts that Gibson's film "is the most virulently antisemitic movie since the German propaganda films of World War Two." The lavishly-dressed Jewish characters are othered as evil, scheming misers hungry for Christ's blood. New York Post reviewer Lou Lumenick called the film "an impressive, ultra-violent - and deeply troubling - take on Jesus' final hours." Although Gibson's cinematic passion play was well-received by the religious, many were concerned about its "deeply troubling" elements.Īntisemitism appears throughout the final film in its cartoonish depiction of Jewish people. "The Passion of the Christ" received tremendous support from the Christian community, particularly because of a marketing campaign that provided guides to church leaders about integrating the film's themes into their education initiatives and preaching.ĭespite this booming success amongst evangelicals, critics' reactions were fairly mixed. At the time, it was the highest-grossing R-rated release.
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It became a massive box office hit, accumulating over $600 million. Directed by Mel Gibson and starring Jim Caviezel, "The Passion of the Christ" presented itself as an authentic and unflinching examination of Jesus' sacrifice told in Hebrew, Latin, and Aramaic languages. When "The Passion of the Christ" was released on Ash Wednesday in February 2004, the reaction was overwhelming.